The coming-of-age story unites the designer with his audience, and allows future generations to mirror themselves in his experience. At its root is his Boyhood Ideology®, the childlike sensibility observed throughout his oeuvre. Virgil Abloh defines the Boyhood Ideology® as the unspoiled outlook of a child, who is yet to be affected by the preconceived ideas of society. He wants to reset our preordained perceptions and start from Louis Vuitton Monogram Saintonge Shoulder Bag Brown M43555 methodology, he frames his shows in childlike whimsy: the 𝓛𝓸𝓾𝓲𝓼 shopping bag louis vuitton petit noe modello piccolo in pelle epi rossa of Collection 3, or the rainbow runway of Collection 1 where it all begins.

In his first campaign, for Collection 1, he reimagines Gustave Courbet’s The Painter’s Studio from 1855 in photographic form. The original work depicts Courbet working on a painting surrounded to his left by people from all levels of French society, and to his right by members of high society. Virgil Abloh’s contemporary perspective pictures himself fitting a look from the collection surrounded by members of his team, social circle, and models, each clad in the collection. Where Courbet’s painting interprets ‘real world’ society for the eyes of the cultural elite, Virgil Abloh portrays the all-encompassing exchange that defines his vision for Louis Vuitton: diversity, inclusivity, and unity. He revisits the painting louis vuitton borsone.

After The Wizard of Oz, it had to be The Wiz. Inspired by the Oz adaptation that featured an all-Black cast, Collection 2 establishes the Black Imagination that will underpin Virgil Abloh’s every move at Louis Vuitton. Black Imagination denotes the rethinking and overturning of Louis Vuitton 2002 pre-owned Damier Ebène Trousse handbag LOUIS VUITTON Monogram Canvas Pochette Cite Shoulder Bag the present and the future. Merging this premise with his Boyhood Ideology®, Virgil Abloh creates a colourful crew of puppets for Collection 5 Quotations from second hand bags Louis Vuitton Neo Robusto his first Louis Vuitton show.

The puppets look like toys, but they are inspired by the West African wooden sculptures he grew up with as the son of Ghanaian immigrants. Throughout Collections 5, 6 and 7, his work begins to express a more personal nature. The Ghanaian flag, Kente cloth and West African cardi b louis vuitton bikini strappy heels Collection 6 on James Baldwin’s Stranger in the Village, examining the experience of being a Black artist in the birthplace of European art. He Louis Vuitton fall 19 mens collection B-side created by the funk-soul group The Winstons in 1969, which would be sampled and go on to underpin the hip-hop and jungle genres, and splinter Louis Vuitton 2017 pre-owned Zippy graphic-print wallet Nero.

He uses his platform to elucidate the unsung universal influence of the Louis Vuitton Neverfull Totes Canon: an abstract catalogue for the memory, reconstruction and preservation of the history of Black art on par with the way in European art is studied and taught. To Virgil Abloh, documenting his prolific output is always about posterity: preserving it so it might inspire future generations, and open the door he has kept ajar for the opportunities of others. With this in mind, time is of the essence. His work often deals with themes of time: the lifespan we are given to make a difference on this Earth.

The invitation for Collection 4 features a clock that goes backwards. In Louis Vuitton 2018 pre-owned Taurillon Capucines flap wallet with a ladder that reaches into Heaven. The motif is echoed in Collection 8, Nike Air Force 1 x Louis Vuitton cartoons he scatters on garments, and the kite-like structures that turn into human-sized angel wings. Like his beloved cityscapes by Giorgio de Chirico, Virgil Abloh imagines a life where we can slow down the clock, turn back time, or even make it come to a stop.

To Virgil Abloh, limitations are manmade. He imagines what Heaven on Earth might look like (Collection 4), interprets flowers as symbols of human diversity (Collections 3; 8), and finds civility in Parisian romanticism (Collections 2; 3; 8). He is passionate about surrealism, but his work is never as passive as escapism. At the core of his ethos is a genuine desire to confront the issues of the world, and he approaches that dream with fervent pragmatism. When rational solutions don’t seem to make the world a better place, he gives the opposite a shot.

Louis Vuitton 2009 pre-owned Damier Azur Pochette Accessoires pouch louis vuitton 2003 pre owned trocadero 27 crossbody bag item of inspiring compassion in people through hallucinogenic displays of wonder, it is closely linked to his concept of the Trojan Horse for the Mind™. It is his way of sugar-coating social and political issues in pleasant layers of what he calls “nuance” – theatrics, amusement, poetry – and delivering his weightiest messages with a smile. Virgil Abloh sees that clothes can be used as tools for change, and decides to use every Louis Vuitton x Takashi Murakami 2004 pre-owned Pochette Accessoires 2way bag “fashion”.