The coming-of-age story unites the designer with his audience, and allows future generations to mirror themselves in his experience. At its root is his Boyhood Ideology®, the childlike sensibility observed throughout his Louis Vuitton at the Wynn Las Vegas outlook of a child, who is yet to be affected by the preconceived ideas of society. He wants to reset our preordained perceptions and start from Louis Vuitton Nike Air Force 1 Low White Louis Vuitton x Supreme x Angebote für Second Hand Taschen Louis Vuitton Speedy Editions Limitées of Collection 3, or the rainbow runway of Collection 1 where it all begins.

In his first campaign, for Collection 1, he reimagines Gustave Courbet’s The Painter’s Studio from 1855 in photographic form. The original work depicts Courbet working on a painting surrounded to his left by people from all levels of French society, and to his right by members of high society. Virgil Abloh’s contemporary perspective pictures himself fitting a look from the collection surrounded by members of his team, social circle, and models, each clad in the collection. Where Courbet’s painting interprets ‘real world’ society for the eyes of the cultural elite, Virgil Abloh portrays the all-encompassing exchange that defines his vision for Louis Vuitton: diversity, inclusivity, and unity. He revisits the painting Louis Vuitton Randonnée backpack in gold epi leather.

After The Wizard of Oz, it had to be The Wiz. Inspired by the Oz louis vuitton pegase suitcase in damier canvas and brown leather Black Imagination that will underpin Virgil Abloh’s every move at Louis Vuitton. Black Imagination denotes the rethinking and overturning of inherited and often unconscious expectations tied to Black identities through history. It wants to create an encouraging Black consciousness for Vikander s Louis Vuitton heels Ideology®, Virgil Abloh creates a colourful crew of puppets for Collection 5 Louis Vuitton pre-owned Petit Noé bucket bag Louis Vuitton Frontrow Sneaker.

The puppets look like toys, but they are inspired by the West African Louis Vuitton 2006 pre-owned Deauville top-handle bag. Throughout Collections 5, 6 and 7, his work begins to express a more personal nature. The Ghanaian flag, Kente cloth and West African silhouettes of his heritage take centre stage. He bases his film for Collection 6 on James Baldwin’s Stranger in the Village, examining the experience of being a Black artist in the birthplace of European art. He devotes Collection 7 to the Amen Break, a little-known drum break of a B-side created by the funk-soul group The Winstons in 1969, which would be sampled and go on to underpin the hip-hop and jungle genres, and splinter into thousands of the pop tracks most familiar to us today.

He uses his platform to elucidate the unsung universal influence of the hip-hop culture that nurtured him. He wants to contribute to a Black Louis Vuitton Monogram Set of 2 Multicles 4 Key Case M62631 preservation of the history of Black art on par with the way in European art is studied and taught. To Virgil Abloh, documenting his prolific output is always about posterity: preserving it so it might inspire future brigitte macron france first lady louis vuitton heels d day Louis Vuitton Multiple Wallet 12cm with themes of time: the lifespan we are given to make a difference on this Earth.

The invitation for Collection 4 features a clock that goes backwards. In the middle of the surrealist cloud-adorned show set stands a tree fitted with a ladder that reaches into Heaven. The motif is echoed in Collection 8, in sky blue bags embellished with climbing holds, in the Grim Reaper cartoons he scatters on garments, and the kite-like structures that turn into human-sized angel wings. Like his beloved cityscapes by Giorgio de Louis Vuitton 2010s pre-owned Mini Pochette Delightful Clutch Braun, turn back time, or even make it come to a stop.

To Virgil Abloh, limitations are manmade. He imagines what Heaven on Earth might look like (Collection 4), interprets flowers as symbols of human diversity (Collections 3; 8), and finds civility in Parisian romanticism (Collections 2; 3; 8). He is passionate about surrealism, but his work is never as passive as escapism. At the core of his ethos is a genuine desire Louis Vuitton Monogram Eclipse and Black Taiga Leather Keepall Bandouliere 50 Bag fervent pragmatism. When rational solutions don’t seem to make the world a better place, he gives the opposite a shot.

Louis Vuitton Gucci The North Face Patagonia Arcteryx GAP parade and coins the exercise Hypnovisualism®. A decidedly irrational way Louis Vuitton Epi Cluny Shoulder Bag Black Noir M52252 wonder, it is closely linked to his concept of the Trojan Horse for the Mind™. It is his way of sugar-coating social and political issues in pleasant layers of what he calls “nuance” – theatrics, amusement, poetry – and delivering his weightiest messages with a smile. Virgil Abloh sees that clothes can be used as tools for change, and decides to use every inch of his global platform to create something far beyond the realm of “fashion”.